The derisive Dutch term for Englishmen of the day was “John Cheese,”—due to their affinity for the food of the same name— the intended slur if pronounced with a Dutch accent sounds like “yan kees,” that became "Yankees." New England colonists of the British persuasion actually liked the term and adopted it.
The mascot for New Hampshire International Speedway is the "Quarter Minute Man," the pit crew that can at the drop of a yellow flag consistently turn fifteen second, one quarter of a minute, pit stops all day.
There are several “Minute Man” statues, but the pit crew “Quarter minute man” is patterned after the statue by Daniel Chester French (the real Minute Man is on display at Concord, MA, not New Hampshire, but it’s only 40 miles from NHIS)—French is better known for his statue of Lincoln which resides in the Memorial in Washington DC.

Rebuilt in 1989 by a new owner and changed into an oval which incorporates one turn of the old track, New Hampshire is among the slowest (average speed) tracks on the NASCAR Cup circuit; Dover and Rockingham (before it was cut from the schedule) also 1 mile tracks, are both much faster.
However, New Hampshire preserves the essence of racing: finding the elusive optimal combination of driver, set-up, engineering (gear ratio in particular), and racing smarts. This track is oval racing at its finest, purest form. And it is due to the geometry of the track.

To understand New Hampshire it is necessary to look at the detail of the corners.
Due to the laws of physics it is actually rather easy to predict fastest qualifying speed based on the geometry of a race track. If Michigan is big and steep compared to a general trend line of track designs, then New Hampshire is way off the trend line in the other direction--way, way off the trend line: small radius turns and flat.

An index that describes a track by a combination of size (distance around one lap) and banking angle is a good indication of maximum average speed a racecar obtain. There are a couple of notable exceptions, Pocono being much slower than the track geometry would suggest (because it is three different turns defying all attempts to optimize a car set-up for all three). The other is New Hampshire, also much slower than the geometry of overall track length would suggest. Physics of turning, described in the previous graph on banking and turn radius explain this outcome.
Since next week is back to Daytona, juxtaposed to New Hampshire, it illustrates the extreme contrasts in track design philosophy. New Hampshire speeds, from its road course antecedents, are limited by technology: adhesion of the tires to the track, requiring that the driver slow down for the turns thus lap times are a mixture of driver, machine, and engineering.
Since next week is back to Daytona, juxtaposed to New Hampshire, it illustrates the extreme contrasts in track design philosophy. New Hampshire speeds, from its road course antecedents, are limited by technology: adhesion of the tires to the track, requiring that the driver slow down for the turns thus lap times are a mixture of driver, machine, and engineering.
Somehow, track developers don’t seem to bother looking at trend lines which are a consequence of engineering and technology. Engineers are forever trying to find a way to improve things, in the case of race cars, go faster, more reliably, using less and less fuel. It should have been evident from looking at the trend of qualifying speeds at the Indy 500.
The problem of going fast, with a reliable machine had been solved; and it overwhelmed all then extant track designs.
In just a year more than a decade of racing Daytona was faced with the same problem, slowing the cars down in the interest of safety: for both drivers and spectators. The first attempt at this was to limit engine size, but NASCAR doesn’t seem to understand how engineers think and this was simply a delay not a change.
Engineering and technology overwhelmed the track design,...20 years ago.
And look for other Daniel Chester French (1850-1931) statues along the way, he was the preeminent sculptor of the day.